PAUL VAN DYK@Arenele Romane,Bucharest,Romania,10/09/2008



Early career
Van Dyk grew up in East Berlin where he kept in touch with the world beyond the Berlin Wall by secretly listening to the popular but forbidden Western radio stations RIAS (Radio in the American Sector) and SFB and mixtapes occasionally smuggled into the country and copied among school friends.

Shortly before the fall of the Berlin Wall, van Dyk and his mother were given permission to leave East Germany and moved to Hamburg to live with his aunt. In 1990, van Dyk moved back to Berlin. His first appearance as a DJ was in the Tresor in March 1991. A couple more dates followed and he was soon given the chance to perform at Juergen Kramer's famous Dubmission parties in the Turbine club, together with the highly popular young resident DJ Kid Paul. The shows were called Paul vs. Paul. His mixing style drew the attention of Cosmic Baby and the two collaborated as The Visions of Shiva, on "Perfect Day" (1992) on the renowned Berlin independent label MFS (Masterminded For Success) Records, run by English ex-patriat producer Mark Reeder and manager Torsten Jurk.

In February 1993, van Dyk and Kid Paul hosted an installment of the weekly three-hour "HR3 Clubnight" radio show perform for a nationwide audience on German radio. The second and final Visions of Shiva single "How Much Can You Take?" was released and van Dyk and Cosmic went their separate musical ways. By late summer, Paul released his first DJ-mix compilation "X-Mix-1 - the MFS Trip" and remixed Humate's trance hymn "Love Stimulation".

The growing popularity of the Dubmission parties forced a venues change, first to Cafe Moskau and then into the larger E-Werk where van Dyk began hosting regular MFS nights.

1994-2007

In 1994 Paul released "The Green Valley EP", "Pump This Party" and "Emergency 911". Meanwhile, MFS acquired many remixes for Paul and Reeder's close friendship with artists such as New Order gave Paul the opportunity to mix the track "Spooky" from the Republic album. Persuaded by Reeder, he finally recorded his debut LP 45 RPM with Johnny Klimek and VOOV. Reeder also compiled the album's running order and design, and chose the album's title as a reflection of the 45 RPM speed typical for dance vinyl.

Reeder compiled Seven Ways which established van Dyk as a trance pioneer and was van Dyk's first real success in Britain. Reeder had successfully convinced his old friend Rob Deacon (formerly of Volume) to license the album for the UK and his new Deviant label.

The singles "Forbidden Fruit" and "Beautiful Place" didn't cause a great impact at first, but with the release of Seven Ways and "Words" appearing at the height of the British superclub phenomenon, van Dyk's own material began to attract attention. "By the time they realised I was a German, it was too late!" van Dyk said.

In 1998, 45RPM was re-released in the UK. To mark the event, and in homage to the defunct E-Werk, Paul released a remix of "For An Angel". Van Dyk took up a residency at Sheffield's Gatecrasher and declared himself anti-drugs, which led to home-made "No E, Pure PvD" T-shirts, also a sly note to journalists that his surname contained no "E".

Van Dyk left MFS Records and took a controlling share in the new label Vandit Records. In 2000, Paul flexed his skills with his melodic, dancefloor-friendly Out There And Back, which included the hit single "Tell Me Why (The Riddle)", a collaboration with Saint Etienne. It also included the European hit We Are Alive, a remixed version of the Jennifer Brown song Alive. His first mix album The Politics of Dancing (2001) was followed by a world tour and a DVD release Global (2003) and the Mexican film "Zurdo", for which van Dyk composed the soundtrack.

Reflections (2003) derived from van Dyk’s trips to India, was a more melancholy affair, and includes the single "Nothing But You", a collaboration with Hemmstock & Jennings. It was nominated for a Grammy in the category of Best Electronic Album. The mix album The Politics of Dancing 2 (2005) was preceded by a single "The Other Side," featuring Wayne jackson; a song dedicated to the victims, and their families, of the Sumatra-Andaman earthquake and the subsequent tsunami that struck Thailand on December 26, 2004.

2007–present: 'In Between'

Paul van Dyk released his fifth studio album, In Between, worldwide on August 14, 2007. The album, which he created over a three-year period, debuted at number #115 on the Billboard 200 and #2 on the Billboard's Top Electronic Albums and Top Heatseekers. The album also reached #16 on the Mexican Albums Chart and #5 on the Mexican International Chart. The album was released accompanied by a special edition limited to two thousand copies which included a mixed version of the full album, along with an eight-track bonus CD and an eight-page photo anthology.

The album was produced primarily by Paul van Dyk himself, and features a wide range of collaborators including David Byrne of Talking Heads, Jessica Sutta of the Pussycat Dolls, Ashley Tomberlin from Luminary, Alex M.O.R.P.H, Lo Fi Sugar, Rea Garvey of Reamonn, Ryan Merchant and Wayne jackson. It also features a vocal sample from Ben Lost from Probspot's "Blows My Mind" on the song "Another Sunday".

In June 2007, Paul van Dyk embarked on the worldwide "In Between Tour" to promote the album.

Paul van Dyk hosts a show on Radio Fritz every Saturday at 20:00 GMT. In his latest gigs, he blurs the line between DJ'ing and live performance engineering by utilizing two 17" MacBook Pro laptops sporting Mainstage (Logic 8 Pro) and Ableton Live software on both, two MIDI keyboards, enabling a more fully-featured club experience more akin to a concert than a standard night out at a dance club. On-the-fly remixes, mashups and compositions are just some of the capabilities of this new performance method.

In May 2008, Paul van Dyk set up a remix competition with digital download network Beatport.com, inviting aspiring producers to remix his single 'Far Away' which appeared on his 2007 album 'In Between'.

Personal life

He is married to Natascha van Dyk, who also appears on some of his releases (Vocals on "Together We Will Conquer"). The two were married in Cancún, Mexico.

James Lavelle @ Kristal Summer Club,Mamaia,Romania,16/08/2008




James Lavelle (born 1974 in Oxford, England) is a DJ, electronic recording artist and record label boss. He is best known for producing work in the trip hop, breakbeat and house music genres.

Born into a family with a strong tradition of music, Lavelle first began by learning the cello with his granny in Oxford.

While attending Cherwell Upper School, Lavelle's music career started at 15 when he ran block parties in Oxford. At only 18 he started the Mo' Wax label, taking the name from his club night at the time, Mo' Wax Please. Around the same time he started the That's How It Is night with Gilles Peterson, which went on to become one of London's longest running nights.

In 1996 Mo' Wax released one of electronic music's most celebrated albums, DJ Shadow's seminal Endtroducing...... Soon after this Lavelle started work on an album with DJ Shadow under the name UNKLE. The resulting release Psyence Fiction featured collaborations with Richard Ashcroft, Mike D, Badly Drawn Boy and Thom Yorke. In 2003, he released a follow up to Psyence Fiction, titled Never, Never, Land, though this album saw DJ Shadow replaced by Richard File as the second full time member of UNKLE. It featured collaborations with 3D of Massive Attack and Josh Homme of Queens of the Stone Age among others.

He is a long time resident at Fabric in London, mixing the inaugural Fabric Live mix album. He has also mixed two progressive house albums for Global Underground.

He has produced a number of film soundtracks, including Sexy Beast. Also an in demand remixer, he has reworked tracks by Garbage, The Verve, Beck and Massive Attack.

In an August 2006 interview with skinnymag.co.uk, Lavelle revealed that he's working with Chriss Goss and Autolux on the follow up to Never, Never, Land, entitled War Stories. Of the album's direction, he said “It’s rawer than '‘Psyence Fiction’' and Never, Never, Land although it’s more in the vein of the traditional singer/songwriter. If the first record was UNKLE does hiphop and the second record was UNKLE does electronic, then this one is like UNKLE does rock, but it’ll hopefully still have its continuity.”

Of other forthcoming projects, he revealed “I’m working on a film with Darren Aronofsky at the moment. It’s a collaboration between me and Clint Mansell who did the score, it’s to remix the score and do a whole new DVD package, the film is unbelievable. I’m working on a documentary about Abel Ferrara as well.”

Sasha @ Club Kristal ,Bucharest , Romania,20/09/2008




Sasha (born Alexander Coe on 4 September 1969), is a Welsh DJ and record producer. Sasha began his career playing acid house dance music in the late 1980s, and became a central figure in the development and popularisation of electronic dance music. He partnered with fellow DJ John Digweed in 1993, touring internationally and producing a series of mixes (compilations of other artists work played in a continuous fashion). Through their track selection and mixing techniques, Sasha and Digweed were instrumental in the evolution of progressive trance and house music.

Sasha has produced multiple UK-charting singles and has remixed tracks for artists such as Madonna and The Chemical Brothers. His remix of Felix da Housecat's "Watching Cars Go By" earned him a 2004 Grammy nomination. Sasha's remixing and production often combine electronic music genres, making it difficult for critics to pinpoint his musical style, including on his debut album of original work, Airdrawndagger.

After achieving success as a producer and DJ, Sasha worked with younger DJs and producers such as Brian Transeau and James Zabiela, influencing their musical styles and techniques. His use of live audio engineering equipment helped popularise technological innovations among DJs who formerly relied on records and turntables. Despite the changing trends in electronic dance music, Sasha continues to perform in large dance venues and is currently on an intercontinental tour of large European and United States venues. In 2007, he formed a record label with Renaissance Records called emFire, which will be the exclusive outlet for his new music.

Maxi Jazz and Sister Bliss - Faithless - DJ Set @ Bucharest City Challenge 2008



Bucharest City Challenge 2008 ( Bucharest / Romania )

Sharam@ La Mania ,Mamaia,Romania,09/08/2008






Sharam Tayebi mans the turntables as one half of the Grammy award winning DJ/production duo Deep Dish. Characterized by a harder style than his partner Ali "Dubfire" Shirazinia, Sharam performs as Deep Dish featuring Sharam, when he takes to the road to deliver his signature half of the distinct Deep Dish sound.

Albums

* 2008 Sidedish fortchcoming in July

Singles/EPs

* 1996 "Let's Rock"
* 1996 "Keep On Move It"
* 1997 "Preacher"
* 1998 "Any Time Is Party Time"
* 1998 "To The Beat / Last Battle"
* 1999 "Phat Philter Killa"
* 1999 "Into The Groove / 2 of Us"
* 1999 "Let's Get It On" All Music Chart 2.5/5 stars
* 2002 "Out of Your Mind"
* 2006 "PATT (Party All the Time)" - #16 Netherlands, #8 United Kingdom
* 2006 "PATT (Party All the Time) (Remixes)"
* 2008 "Secret Parkway"
* 2008 "The One"
* 2008 "Get Wild"

Compilations

* 2003: Global Underground: Toronto: Sharam [Afterclub Mix] - #1 Top Electronic Albums, #20 Top Independent Albums, #29 Top Heatseekers
* 2006: Global Underground: Dubai

Remixes

* 1994: Watergate - Lonely Winter
* 1995: Aquarhythms - Ether's Whisper
* 1995: De'Lacy - Hideaway
* 1995: Ashley Beedle - Revolutions In Dub
* 1996: MK - Burning
* 2006: MYNC Project & Danny Rampling - Strobelight
* 2006: Eddie Murphy - Party All the Time
* 2006: Nalin & Kane - Beachball
* 2007: Daniel Bedingfield - If You're Not The One
* 2007: Richard Grey - Tainted Love (Warped Bass)

HERNAN CATTANEO@ Gossip ,Mamaia,Romania, 15/08/2008




Hernán Cattáneo was born in Buenos Aires, where he grew up listening to bands like Simply Red, Level 42, Depeche Mode and New Order while carefully studying Billboard magazine, the only source of information that was readily available at the time. In 1987, one of his friends visited Vinylmania in New York and returned with some vinyl records. These records were to be Hernán’s first exposure to Chicago House. During that period, Frankie Knuckles, who would have a huge influence on Hernán and his blossoming career, broke into the scene and quickly became an icon of the burgeoning House genre. The way Frankie Knuckles and artists like Inner City and Derrick May brought together the energy of European electronic music with the soul of North American music left an impact on Hernán and set the foundations for his career. His elemental understanding of dance music might be the reason why he has firmly positioned himself amongst the most respected DJs in the world.

Hernán became a DJ after being inspired by a collection of Chicago house records brought back from the United States by a friend, featuring artists such as Frankie Knuckles and Inner City. This music played a role in the music he now plays. Hernan describes the music he plays as deep, progressive, funky and tribal house.

In 1996, he won the residency at Clubland Pacha in Buenos Aires. His performances were a great success and led to Cattaneo being invited to DJ at clubs around the Americas. Clubland eventually attracted big-name DJs, such as Sasha, John Digweed, Dave Seaman and Paul Oakenfold who played alongside Hernan. Oakenfold was impressed and signed Hernan Cattaneo to his Perfecto Records label and they toured together in Europe and the United States from 1997 to 1999.

By 2000, Cattaneo was becoming a major name on the world club circuit. Underground releases entitled Clubland Vol. 1 and Vol. 2 created an underground buzz. Also, Ministry magazine released one of his mixes called Funky, Deep & Tribal in 2001. In 2002 he produced the international hit "Deep Funk", released his first mix compilation entitled "Perfecto Presents South America" on Paul Oakenfold's label, and won the "Best Newcomer DJ" at the Pacha Ibiza Awards. Since releasing his first compilation, he has played about 120 shows a year on every continent around the world.

As a DJ with an ever increasing fanbase, he rose to #22 and then to #6 on the DJ Mag poll of the Top 100 DJs. In addition to appearing repeatedly on John Digweed's Kiss 100 Show, Hernan started a weekly residency show in London which also enjoys great success. Entitled Sequential (like two of his mix compilations) it has been broadcast on Metrodance 95.1 FM every Saturday since 2002. In early 2004, he followed up his first mix compilation with the Renaissance Master's Series Volume One, after which he toured extensively promoting the album on the Renaissance Master's Tour. In early 2005, Hernan released the Renaissance Master's Series Volume 2, to great success both critically and among his growing fanbase.

Cattaneo is a major supporter of other South American producers and DJs that have been influenced and inspired by him, including: Oliverio, MOS, Deep Mariano, and Martín García. He is also known for bringing relatively unknown tracks to the forefront in his mixes; this is usually because the producers of these tracks allow him access to them before they are even released through their own labels. 2005 included a major production release by the name of Warsaw (on John Digweed's Bedrock Records), remixing work on numerous tracks with John Tonks as well as extensive worldwide touring. His fourth compilation and his third for the Renaissance imprint, entitled Sequential, was released in April of 2006 to positive reviews. As with previous compilation albums, Cattaneo embarked on the Sequential world tour. In May of 2007 he released Sequential Volume 2, which was once again followed by another worldwide tour to promote the compilation. Due to a very busy schedule, the creation of Hernan Cattaneo's own label has been put off for quite some time. According to Cattaneo, this label would feature producer and DJ talent from around the world reflecting the diversity of his compilation albums.

On the first of May in 2008, Metrodance 95.1 FM which had been airing Cattaneo's Sequential show for approximately six years, dropped the program based on the decision of new ownership to change the musical direction of the station. No new outlet for the show has been made available.

Sunwaves 4 Festival@Enigma Beach,Mamaia,Romania,09/08/2008




DANNY TENAGLIA, BILL PATRICK, CHRISS
visuals by RANCEA
SCENA BACK TO FUTURE
RICARDO VILLALOBOS, DJ SNEAK, PRASLEA, EL CEZERE, KOZO
visuals by DREAMREC & COTE
SCENA TRANSITIONS
JOHN DIGWEED, MISSTRESS BARBARA, RAOUL RUSSU
SCENA BREAK ME
GENERAL MIDI, FREESTYLERS, SEB
visuals by DAN BASU

Francesco Rossi@Kristal Club ,Mamaia ,Romania,19/07/2008





Francesco Rossi was born in Tuscany, and it is from his city native that his career began as a DJ, above all at the Le Mirage Club where, even though he was still very young he was entrusted with the console.
After his first experiences in the local clubs, he moved to Milan, where it entered on the house circuits in Northern Italy. In this new city Francesco works for an important fashion agency and approaches the radio world.
From the very beginning he cultivated an interest for music production acquiring knowledge and experience in recording techniques. This deep-rooted passion led him over the years to the production of pieces which were of great success both in Italy and abroad such as “Canto di Orfeo”, “Love is the music”, “Rum e cocaina” and the most recent “Luna”, “Seduction” and “House sensation”, etc.
His DJ sets are characterized by enormous energy and by the search for new musical vibrations that Francesco succeeds in transmitting to his public creating a feeling and a unique participation at every evening performance.
Currently Francesco is working with the most important clubs in Italy and abroad and is one of the most sought after DJs in the Italian House world.
He is also busy in the production of his first Album and in collaborations with important international artists…

PRODUCTIONS:
ESPIRITO “CANTO DE ORFEO” D:VISION R & M “HEART OF GLASS” TIME FR FEAT JENNY B “LOVE IS THE MUSIC” D:VISION RICH & BITCH “RUM & COCAINA” PRIDE ESPIRITO “LUNA” D:VISION FRANCESCO ROSSI “SEDUCTION” MOLTO ESPIRITO “BAHIA” D:VISION FR SOUND “EP” MOLTO FR SOUND “NEED YOU TONIGHT” MOLTO FRANCESCO ROSSI FT. MARIO BEE “BREAK IT” MOLTO

COMPILATION:
V.A. “CAMPIONI DANCE COMPILATION” MOLTO FRANCESCO ROSSI “SELECTION VOL.1” MOLTO V.A. “PAPEETE BEACH VOL. 1” MOLTO V.A. “PAPEETE BEACH VOL. 2” MOLTO V.A. “PAPEETE BEACH VOL. 3” MOLTO

REMIX:
MADE & SAX FEAT. M. WEEKS “I’M COMING UP” 909 HARLEM HISTLER “LOVE IS THE ANSWER” D:VISION HOXTON WHORES Vs. ROB TISSERA "PROMISE LAND" EMOTIVA PLAYFORD AND GRAY "SYMPTOMS OF YOU" PYTHONS MARTIN SOLVEIG “JEALOUSY” D:VISION

DUBFIRE Featuring Davide Squillace@La Mania ,Mamaia,Romania,26/07/2008




Shirazinia,(Dubfire), grew up in the Washington, DC area, where he spent much of his youth playing the guitar in school bands and listening to mostly classic Hip-Hop, jazz/rare groove, dub reggae, new wave and industrial. Shirazinia was also influenced by the local punk scene and the music of the hometown bands, like Fugazi and Minor Threat. Members of these bands also worked at a local record store called Yesterday And Today Records, and here Shirazinia fell in love with some of the sounds of artists like Kraftwerk, Ministry, Jesus & Mary Chain, Depeche Mode, Nitzer Ebb, Adrian Sherwood of On-U Sound and Einsturzende Neubauten. Throughout this heavy industrial influence, with the sound of Chicago's famed Wax Trax! label, Shirazinia discovered the Chicago house scene and what labels like Trax Records and D.J. International Records were releasing.

Shirazinia's eclectic sound differ from those of Deep Dish. His production I Feel Speed, which is a cover of an obscure Love & Rockets song, features his own vocals. Shirazinia also sings in In Love With a Friend on Deep Dish's debut album.

Creamfields Festival@Adras,Saturn Romania , 02/08/2008


Creamfields is a one day dance festival that takes place in Saturn. The only festival of its kind, Creamfields has become the UKs number 1 dance festival & the djs/acts are special .

JOHN DIGWEED@HEAVEN,TIMISOARA ,ROMANIA,14/06/2008


The word "bedrock" holds two connotations. Literally, it is a solid mass of rock that lies underneath layers of loose, unconsolidated soil. Figuratively speaking, it refers to a basic principle, an irrefutable, fundamental idea upon which other thoughts and movements are derived. Whichever definition you apply, DJ-producer John Digweed and his 10 year-old Bedrock club event have lived up to its implications.

While lesser DJs bow to the whims of clubland fad and fashion, Digweed continues to stand as a reliable, steadfast pillar of dance floor excellence. He brings the same douse of driving enthusiasm and inspiring innovation to his two-and-a-half year old residency at Manhattan superclub Twilo (where he reigns with Sasha) as he did to his first Bedrock events in Hastings more than 10-years ago, where he emerged as a fresh, young talent who mesmerized faithful audiences with his soul-stirring progressive dance tunes.

His resume of accomplishments makes his proteges swoon and his contemporaries nervous. He served as a resident at the northern club Renaissance during its early-to-mid nineties heyday. He was the first U.K. DJ (with Sasha) to hold a club residency in the U.S. He's consistently voted one of the top 10 international DJs in prestigious club culture publications such as DJ Magazine and Muzik. He's a talent whose appearances in locales such as Australia, Africa, and Asia are met with the same fervor and excitement they receive in Europe and America. And this DJ superstar continues to stay on the rise.

It's perfection he takes to his Bedrock club event, which celebrated one year of holding court at London's famed club Heaven in October 1999. It, like Digweed himself, has stood time's grueling test, graduating from its role as a humble hangout for punters looking for an excuse to party on a weekday night to become a globally-revered, outrageously respected club event whose rotation of world-class DJ talents and back-to-basics mentality prompted Muzik to list it in the top 10 of its "21 Clubs For The 21st Century." Of Bedrock's 1998 premier at Heaven, Time Out magazine said, "There haven't been too many things to salivate over in London club land recently, but the prospect of (Bedrock), the new John Digweed monthly residency at Heaven, has left the cognoscente positively drooling." One year later, the sentiment remains true, as Bedrock has seen the talents of Sasha, Carl Cox, Paul van Dyk, Basement Jaxx, Grooverider, Adam Freeland, Hybrid, The Light, Slacker, and countless other walk through its doors and bring the most enthralling dance sounds to appreciative crowds every other Thursday evening for a measly 5 pounds a head.

It's the same strive towards excellence he brings to his work as a musician. His tracks, recorded with partner Nick Muir under, you guessed it, the moniker Bedrock, are bona fide classics, meshing the deep, luxurious hues of house with the atmospheric rush of trance in Digweed's characteristic style. 1993's "For What You Dream Of," the quintessential Bedrock tune, found its way from the Renaissance dance floor into the film adaptation of Irvine Welsh's Trainspotting in 1996. "Heaven Scent," the latest opus, has been embraced by every important DJ with a clue. And his most recent reconfigurations of cuts by Satoshi Tomiie featuring Kelly Ali from Sneaker Pimps, Danny Tenaglia, and DJs Heller and Farley, plus others have made him one of the most respected and in-demand remixers of the year.

And it's the same distinctive flair and unrelenting passion with which he has delivered the first Bedrock mix CD, released in the U.S. on Ultra Records. Following on the heels of his and Sasha's groundbreaking Northern Exposure DJ mix series -- the third volume, Expeditions, was released in the spring of 1999 to overwhelmingly positive response on both continents, Bedrock is a two-disc set that truly captures John Digweed at his best, and represents his unique signature style that's driven with his sexy and dark-funky twisted house to his relentless, hypnotic progressive trance. A journey that highlights talents from both sides of the pond, including tracks by up-and-coming U.S. producers -- POB & Taylor, Sandra Collins, Tiny Trendies, BPT Feat. Danny Morales, Morel and others -- as well as the latest Bedrock smash. A course that demonstrates the global character of club culture as it moves into the next millennium by creating an artistic bridge that between East and West, London and New York, trance and house. An offering that, like none other before it, reflects Digweed's tri-fold personae as visionary club promoter, forward-thinking producer and exalted DJ.

A strong, steadfast foundation on which the ever-expanding global club culture continues to lean. A standard by which all other promoters, producers and DJs can be measured. With the talent and ambition that has a way of separating the diamonds from the rough, John Digweed's Bedrock is set to move you in more ways than you can imagine.

PARTY DESTINATIONS


Amsterdam- Holland


Originally the number 1 stag location, Amsterdam has it all, bars, clubs an outstanding party culture, coffee shops and a very famous red light district. Built around a maze of canals this city is great to explore on bikes or by boat there are bars scattered all along the canal side so a bar crawl by canal boat is a must!!! We can also offer tickets to watch Ajax games with a stadium tour, a red light district tour, pub crawls, a brewery tour and even snowboarding (obviously indoor).


Miami - Florida

Miami has everything you are looking for. After a day at the beaches or attractions you may want to relax at one of Miami's many cocktail lounges. Do you have more energy? Visit night clubs ranging from hard rock to the blues for a night of dancing and entertainment. Clubs with live music and shows are also on the menu for visitors who want to finish their day watching a great performance. No matter what you are looking for when the sun goes down, Miami has it to offer.

Madrid - Spain

Very few Spanish cities and even fewer European capitals offer the possibilities that Madrid does when it comes to going out. The city awakens very early to start the binge and goes to bed very, very late. In addition, as a cosmopolitan and welcoming city, you will never feel alienated. Such an important city presents an unlimited range of nite adventures, each one unique, each one unforgettable. It don't matter what gets you going, the music that starts your heart racing, or the kind of people you're looking to meet you'll find it in Madrid.

Ios - Greece

Welcome to the world's adult playground. Ios is the Acropolis of party destinations, a place where the afternoon scene easily exceeds the nightlife at many other destinations, where nights roll effortlessly into daybreak and where meeting people is as easy as seeing them.If parents were truly interested in teaching their kids sex education, they would take them to Ios and let them observe the ancient process up close. The stuff written in the books happens here in the flesh.

Cancun - Mexico

During the day Cancun is pretty laid back. That changes at night when both the Hotel Zone and downtown start rocking with music. It’s all here: salsa, meringue, flamenco, reggae, jazz, classical, disco, rock and roll, hip-hop and techno. Many restaurants do double duty as party centers with all you can drink specials and waiters who don’t hesitate to get up on stage and dance in between serving drinks. Cancun Discos and dance bars usually have taped music accompanied to high tech laser light shows with the occasional live band thrown in for good measure. The Cancun nightclubs, especially the Latin Clubs, all have live music and import some of the hottest bands from Latin America. Barhopping during happy hour is a great way to check out the different hotels and evening cruises have a high-energy, party atmosphere. For a taste of how the locals like to party head to one of the Salsa clubs or check out the clubs in the downtown area. There is usually a free evening concert in the downtown Parque de las Palapas and close by are some excellent jazz clubs featuring local musicians. Just choose your spot and you can dance until the wee hours of the morning.

Ibiza - Spain

If it's nightlife you're after, you've come to the right place. Why it's easy: take the best clubs and DJs in the world; add a cosmopolitan mix of clubbers and holiday makers bent on having it; and then throw in some stars, celebrities and models for good measure; and what do you get? You get the summer party capital of the world...

ERIC PRYDZ @ARENELE ROMANE, BUCHAREST ,11/07/2008


On September 13th Eric Prydz joins forces with Data Recordings to bring you his hotly-tipped summer anthem ‘Call On Me.’ Commandeering a vocal from age-ripened rocker Steve Winwood’s ‘Valerie’, the first time Winwood has given clearance for one of his tracks to be used, Swedish-born Prydz loops it into what promises to be the biggest funked-up house monster of the season. Lola’s what?

Starting life as an mp3 in the hands of only a select few DJs ‘Call On Me’ has spread like wildfire, surfing label bidding-wars and dodging a spate of bootleg rip-offs along the way, to eventually land in the hands of Mr Winwood himself who liked the track so much he re-sang the vocals. Prydz began making music at the tender age of 9, and was so fanatical even at this early stage, that a lack of equipment was simply a minor obstacle in his quest for stardom. He developed a habit of breaking and entering in order to “borrow” his school’s keyboards: a habit that soon landed him in a Swedish reform school. But this set back merely strengthened his resolve and, buoyed by encouragement from influential friends such as Steve Angello, Prydz was soon producing tracks that found their way into the record boxes of some of the worlds most high profile DJs.

Influenced by the production quality of the ‘first generation’ of Stockholm talent, such as Håkan Lidbo and Adam Beyer, the Prydz sound is a merging of his love for Depeche Mode, early-electronica and a catchy 80’s melody with the stimulus of artists such as Alexender Kowalski and Underground Resistance. Working from his (literally) underground studio in the heart of Stockholm, Prydz creates hard-hitting tunes, with a firm foundation in funk but what sets him apart from the crowd is his talent for hooks and melodies.

After the success of an initial release on EMI, Eric moved to the label’s flagship dance imprint Credence and released the hugely successful “EP1”. By the time “EP3” came around, Eric had developed into one of the hottest names in house music. Word of his production skills soon spread, making him one of the most sought-after remixers on the scene. His work for the likes of Junior, Positiva and Ministry of Sound found favour with DJ’s including Seb Fontaine, Judge Jules and Pete Tong and his remix of “Miracles” even added The Pet Shop Boys to his long list of admirers.

The story behind the bootleg:

Two years ago Eric and producer friends Retarded Funk were working together in the studio when they hit upon the idea of using Steve Winwood’s ‘Valerie’ as the basis for a dance track. Armed with a CDR and keen to test it on the clubbing public, Prydz passed a copy on to DJ Falcon during one of his UK gigs, who immediately made it a regular fixture in his sets. Eric couldn’t have anticipated the stir the track would have: fans clamoured for more information, only for it to be uploaded to an internet site, assumed to be the follow-up to Thomas Bangalter & DJ Falcon’s ‘So Much Love To Give’ and wrongfully attributed to them.

As demand for ‘Call On Me’ grew an enterprising distributor downloaded and pressed up the track under the guise of Thomas Falcon ‘Valerie’. This went on to trouble the German DDC Chart, in a guise no different to Eric’s own version, apart from the addition of an acappella vocal from French band Phoenix. Meanwhile Eric spent his time producing his own version and eventually gained all important clearance from Steve Winwood to use ‘Valerie’.

Prdyz’s hard work paid off when Winwood not only gave clearance for the sample to be used exclusively by Data (the first time he has ever done this for any of his songs), but also went back into the studio to re-sing the vocals!

So on September 13th ignore the imitators and pick up ‘Call On Me’ as Eric Prydz releases the original, legal version on Data Records.

JAMES ZABIELA @ARENELE ROMANE,BUCHAREST, 21/06/2008


A technical wizard and with a love of all things sci-fi, James Zabiela is at the forefront of new DJ/production talent smashing the glass ceiling of the global superstars. He's played to a room full of suited Japanese businessmen when showcasing Pioneer's latest equipment, in front of 60,000 people in South America and just about every imaginable situation in-between. From the beginnings of winning a bedroom DJ competition to Sasha personally signing James to his UK DJ agency Excession, things have skyrocketed.
Armed with his fully loaded laptop, effects units, CDs and other box of tricks, James has created his own place on the scene. He holds residencies at Space-Ibiza and Pacha-New York and had successful compilations released on Renaissance as well as EPs and singles. Following the success of his previous singles, 'Robophobia' and 'Weird Science', Zabiela released his latest single 'Human' in July 2007. In February 2007, Zabiela teamed up with Nic Fanciulli to create One One, a 2xCD mix compilation featuring stellar track selections as well as new songs produced by Zabiela and Fanciulli. With the likes of Sasha, Royksopp and Depeche Mode calling upon him for remixes, Zabiela's 2006 re-rub of "Seal Clubbing" by Charlie May vs Sasha spent several weeks at #1 in both the Beatport and DJ Download sales charts.
In 2007 he was awarded the Best British DJ at the DJ Mag Best British DJ Awards and ranked #17 in the DJ Mag Top 100 DJ Poll. James Zabiela will release a new 4 track EP of all original material titled Perseverance EP on 10 December 2007.

Armin Van Buuren@Arenele Romane,Bucharest 28/06/2008


Aged just 31, Armin Van Buuren has been named number one in the prestigious DJ Top 100 poll – voted for by over 350,000 people across the world, and an indication of his prolific output over the 10 years he’s been DJing and producing. Being the official World’s Best DJ is just one of his many achievements, but the driving force behind his success is an overriding passion for dance music.
Even a basic list of recent successes reads like a lifetime of work: ‘Best Album’ for artist album “Shivers” at both the Dutch Release Dance Awards and the prestigious Edison Awards; ‘Best Compilation’ for “A State Of Trance”, and ‘Best Mix Radio Dutch Show’ at the Miami Winter Music Conference 2006 for radio show ‘A State Of Trance’ – now broadcasting on a massive 40 FM stations as well as satellite and internet radio, with over 6 million listeners a week; a 5th year residency in Ibiza at Amnesia; sell-out shows for Armin Only (12,500 people saw the nine-and-a-half hour Rotterdam live set and show and a world tour is planned); over 50,000 downloads every week from podcasting high end chart-bothering positions all over the world for singles, albums and compilations, with single “Rush Hour” used as the theme tune to the UEFA European Youth Championship; a second DVD, ‘Armin Only ‘Ahoy 2006’ – the landmarks just keep coming!
Born in Leiden, Holland (on December 25, 1976) to a musical family, Armin indulged his passion for music from a young age. He spent all the money he earned with his paper round on records. His mum won a computer when he was 10, “So as a little nerdy kid I was writing my own basic programmes, and learnt about the technology from there.” He progressed from making low-profile mix tapes for friends to higher profile mixes when he discovered experimenting with different sequences on his computer through his uncle. “I was so stunned by what I saw him doing on the computer, that I got addicted to creating music right there and then!”
“I loved dance music immediately – this great rebellious sound that was so different to the ‘beautiful’ songs of the years before”. Armin cites electronic pioneer Jean Michel Jarre as a major influence (famed for his awesome visuals as well as his groundbreaking synth sounds), as well as Dutch producer Ben Liebrand, who later mentored him in his mixing and producing.
In the early days, Armin thought it was wise to have something extra in case the DJ’ing didn’t work out. So he studied for a law degree. The final year of his course was inevitably stretched as he juggled his studies with his increasingly hectic schedule; his rise to fame included lots of productions and remixes, as well as playing out to packed clubs every weekend. It took him three years to graduate, but his determination made him succeed!
Armin’s own productions have all made a huge impact with his last 12 singles hitting the Top 40 in Holland, and gaining worldwide acclaim. His back catalogue includes Blue Fear, Communication, Sound of Goodbye, Shivers, Rush Hour, Burned With Desire, Exhale, Love You More, This World Is Watching Me, and Yet Another Day. While the remix offers flood in, Armin only takes on tracks that he really loves. He uses exactly the same criteria for his compilations, meaning that every release from Armin or his long-running Armind label is a bone fide stormer that’s earned its place. His output includes tracks for the cult TV series 24, and the likes of Motorcycle’s When The Rush Comes.
Armin is a dedicated trance lover, but isn’t imprisoned by a single genre, saying “What makes trance work so well is that it doesn’t stick to one style, and can incorporate electro, minimal, whatever it likes.” His desire to showcase more of the great music he hears, along with the number of people sending him tracks they wanted to release, led to the obvious step of starting his own label, Armada, in 2003.
The label is a joint venture between Armin, Maykel Piron (former head of A&R for Warner Music) and David Lewis, who'd previously managed Armin. "What we wanted was a company that could offer everything for an artist: representation, a booking agency, and a record company. Artists can choose full management, or to just release a record or play out at gigs. Armada lets the artists choose what they want without telling them what to do".
Armin is now a fully-fledged artist in his own right, having made his songwriting debut on his last album, the award-winning Shivers; and artist album three is in the pipeline… The events continue to get bigger and bigger, and Armin regularly headlines the likes of Sensation White, Global Gathering, Dance Valley, ZoukOut, Mysteryland, Coachella, Beats In Brazil, Trance Energy, Fort Dance, Summer Days, Dance Valley – basically whether you’re in Australia, Russia, the Middle East, the US or Europe, you can catch Armin van Buuren at a club or festival near you!
"This is just what I really want," says Armin. "It’s not just love for music, it’s my passion. It goes beyond liking, and beyond a hobby, it’s about a way of living. Music is essential to my life”.

STEVE LAWLER@CLUJ-NAPOCA , ROMANIA, 11/04/2008.




Steve Lawler is a definitive DJ and producer; a tastemaker whose sets combine quality house music with the power to move dance floors around the world. In the last few years, he's wowed crowds in such far flung places as Zouk in Singapore, Groovejet in Miami, Twilo in New York and the mighty Space in Ibiza. Courtesy of home, he provided the most groundbreaking sets of the season for many of those lucky enough to hear him. After two months he had been crowned 'King Of Space' by the locals - a rare and well deserved honour.

You can find Steve behind the decks every Friday at Deep South @ home, where his 5 hour sets of twisted house are bringing a new lease of life to one of London's biggest clubs. As well as guest spots at every pioneering club in the UK from Renaissance to Bedrock.

If one person had to be singled out for Deep South's success it would be none other than top-class resident Steve Lawler. Whose mammoth five-hour sets of chunky house and intoxicating tribal progressive sounds have dragged him into the realms of the superstar DJ, and the club into one of the clubbing success stories of the year. But modest as ever, Steve puts it down to a combination of factors:

"I wouldn't accept that it's all down to me," understates Lawler. "There are a lot of people involved in making that night good. I just do what I do."

Steve Lawler hails from the Midlands, yet there is something distinctly non-territorial in his work. Although loving the atmosphere in the big Saturday nightclubs (he's an ex-resident at Cream), Lawler also refuses to pander to any punter wherever he's spinning, especially at home. Think DJ communism, with equal treatment for all the masses.

" It's rewarding for me to know that so many people are going off to underground music every Friday night across the country. Clubs like home and Renaissance have the best soundsystems and crowds in the UK, and the feeling you get from playing those nights is amazing".

Tuning into electronic music from an early age, Steve used to buy Depeche Mode records when he was young, so he obviously loved electronic sounds without even realising it. But it was acid house that really turned Steve on. Tuning avidly in to local pirate PCRL radio station gave Steve a taste for house music, and it wasn't long before his mates were luring him off to warehouse parties.

"I was totally blown away by the whole experience: the dark room, the strobes and the atmosphere. The whole thing just blew me away and inspired me to do my own parties."

Which is exactly what he did, putting on a series of illegal parties in a disused tunnel under the M42 between 1990-1994. "The last one was just amazing. We had Tony de Vit playing, and it had just grown from this small party to this huge thing - basically a rave. It was all about town the day before, people running around Birmingham going 'The tunnel's on, the tunnel's on.'"

But it was in Ibiza that Lawler got his first true break. Having earned his Ibiza stripes - he's been every year since 1990 through to 1997 it was finally Steve's chance to prove himself as an accomplished DJ. He was a resident at Café Mambo, spinning his legendary 8 hour sets there every day, as well as playing three times a week at Pacha. It was then he was spotted by Darren Hughes, then of Cream, who recognised his talent and ambition to succeed. Signing him up to Cream's DJing agency, he began a residency at the eponymous Liverpool institution. At only his second date at the club he had to follow Paul Oakenfold at their NYE party. Not an easy feat, but one which Lawler coped with admirably. The rest, as they say, is history.

It's not all about DJing though. Lawler's accomplished production, under the monikers of Novocane, Chameleon and, naturally, Steve Lawler, are currently causing mayhem amongst the likes of Tenaglia, Tong, Sasha, Digweed, Deep Dish, and Pete Heller. 'Rise In', his latest single, is a self-assured cut of heavy dancefloor pressure, which, as with all the best things, has simplicity as its key. Watch it drop on any dancefloor in the world and you realise that Lawler, in his production as much as his DJing, understands how to work a crowd. 'Rise In' is set for a September release, and if you've been near any of the coolest dance floors on the planet, you'll have realised just how special the track is. The buzz around the tune has superceded any of this summer's releases, and the Top 20 beckons. Who'd have thought proper house music would once again reach such heights? But then, as most of you know, Lawler is something very special.

"First and foremost I am a DJ," explains Steve. "I am not making records for a career or the money, it's just that I want to make my own version of sounds that would go down well in a club. When I make music I sit there and close my eyes and imagine being on a dancefloor, with the lights and the soundsytem. It's hard to get right all the time, but I'm going to keep banging away at it until I do".

Which is pretty much Steve Lawler for you. A hardworking Midlands lad who has never taken the easy path to success. From his mammoth sets at Space in Ibiza, or his tendency to re-edit half the tracks in his box, Steve certainly knows the meaning of graft:

"I do a lot of my own re-edits, because I get sent so many records where its all good and then some horrible break kicks in. So I just cut that bit out, get it on to CD and then go and get a slate cut. It's the way forward. It means that a lot of records that people might have, I have my own versions of them. It makes it unique, which you have to do these days. There's 1001 DJs out there. It's probably one of the reasons why I have actually got somewhere I do make the effort."

Steve's spun at every club in Ibiza, and every decent club in the world, and has stunned all detractors of the progressive sound. He was described in The Face as, "The UK's Tenaglia", and in Jockey Slut as "one of the best dj's in the world".

JEFF MILLS@ SYMA ARENA ,BUDAPEST, HUNGARY 19.04.2008















In the course of the eighties Mills was an influential radio DJ on WJLB under the pseudonym "The Wizard." Mills' sets were a highlight of the nightly show from "The Electrifying Mojo," Charles Johnson. Complimenting Mojo's eclectric playlists, Mills would do advanced DJ Tricks like beat juggling and scratching while mixing obscure Detroit Techno, Miami Bass, Chicago House and classic New Wave tracks both live and using a multi track when pre recorded.

In going on to create his own music Jeff Mills is credited with laying the foundations for the highly influential Detroit Techno collective, Underground Resistance, alongside 'Mad' Mike Banks, a former Parliament bass player. Just like Public Enemy did some years before in hip hop, these men confronted the mainstream music industry with revolutionary rhetoric. Dressed in uniforms with skimasks and black combat suits, they were ‘men on a mission’, aiming at giving techno more content and meaning.

Mills would never leave UR officially, but later on he still went his own way. He moved to New York and after a short stay in Berlin (Tresor) ended up in Chicago. There in 1992, with fellow Detroit native Robert Hood, he set up his most important record label, Axis, aiming for a simpler more minimal sound than most of the techno being produced in those years. Later sub-labels were announced Purposemaker, Tomorrow, and 6277.

His albums and EPs are mostly separate tracks of his compositions, which Mills would mix into the live DJ sets for which he became a legend. Mills has been credited for his exceptional turntable skills. Tracks are almost chopped to bits to showcase the strongest fragments for his relentless sound collages. Three decks, a Roland 909 drum-machine and seventy records in one hour: at breakneck speed Mills manipulates beats and basslines, vinyl and frequencies.

The live DJ-mix album Mix-Up Volume 2 is a highly-regarded example of Mills' 1990s stage show, recorded at the Liquid Room in Tokyo.

"A decade back, while not exactly establishing a precedent, Detroit deejay Jeff Mills unleashed a recording of one of his live deejay sets at the Liquid Room's former Kabukicho residence," assessed Andrez Bergen in 2005, in Japan's Daily Yomiuri newspaper. "Titled Mix-Up Vol. 2, it was a relentless techno masterpiece, warts and all, that combined two diverse channels in the mix: the actual music itself, along with the audience's response."


More recently he appears to be taking extended forays into epic techno (such as his re-scoring of Metropolis (which he performed live with the original film) and his 16 September 2004 7 hour set with Laurent Garnier at Fabric. The epic proportions were further extended when his 2006 album Blue Potential was recorded with the Montpellier Philharmonic Orchestra under Alain Altinoglu. There is a DVD of the concert at which the album was recorded, an opportunity to see Mills in action, live on stage.

His "Exhibitionist" DVD, from 2004, features him mixing live on three decks and CD player in a studio, stark and simple. There are several mixes, one of Axis tracks, two of Jeff Mills tracks, and another of various artists. The mixes are shot from several cameras, up close, and his long graceful fingers fly over the gear, furious, his genius and skill on full display. The DVD also includes an interview with him.

FATBOY SLIM@ MAMAIA ,ROMANIA ,12/07/2008.







Quentin Leo Cook grew up in Reigate, Surrey, England, and was educated at Reigate Grammar School. He started a punk fanzine titled Peroxide with his neighbour Andrew Thomas and art student Ian McKay (formerly Laidlaw). Contemporary with his publishing activities, he played drums in Disque Attack (a British new-wave-influenced rock band) for which he later performed lead vocals. At Reigate College he also met Paul Heaton and, at 18, he went to the Brighton Polytechnic to study a BA in English, Politics and Sociology. Although he had begun DJing some years before, it was at this time that he began to develop his skills on the thriving Brighton club scene.

In 1985 Cook's friend Paul Heaton who lived in Hull had formed a guitar band called The Housemartins. The Housemartins' bassist had just quit on the eve of their first national tour. Cook had lost interest in the rock scene[citation needed] and could barely play a musical instrument,[citation needed] he agreed to move to Hull to join them. The band soon had a hit single with "Happy Hour". They also reached number one just before Christmas 1986 with a version of "Caravan of Love" originally a hit the year before for Isley Jasper Isley. However, by 1988 they had split up. Heaton and the band's drummer Dave Hemingway went on to form The Beautiful South, while Cook moved back to Brighton to pursue his interest in the style of music he preferred. It was at this time that he first started working with young studio engineer Simon Thornton, with whom he continues to make records. All Cook's records released from that point onwards have involved both of them to varying degrees (Thornton is credited in 2004 as "Executive Producer" for example).

Cook formed Beats International, a loose confederation of studio musicians including vocalists Lindy Layton, Lester Noel, D.J. Baptiste, rapper MC Wildski, and keyboardist Andy Boucher. Their first album, Let Them Eat Bingo, included the number one single, "Dub Be Good to Me". "Dub Be Good To Me" caused a legal dispute revolving around allegations of infringement of copyright through the liberal use of unauthorised samples: the bassline was a note-for-note lift from The Clash's "The Guns Of Brixton" and the song also borrowed heavily from the S.O.S. Band's "Just Be Good to Me". The 1991 follow-up album Excursion on the Version, an exploration of dub and reggae rhythms, failed to repeat the success of its predecessor.

Cook then formed Freakpower, with horn player and singer Ashley Slater. The duo released their debut album, Drive Thru Booty, in 1994, which contained the single "Turn On Tune In Cop Out". The cut was picked up by the Levi's company for use in a multimillion-dollar advertisement campaign. Freakpower has also done several other releases under the name Fried Funk Food.

In 1995, Cook enlisted help from producer friends Tim Jeffery and JC Reid to create a solo house music album under the 'Pizzaman' pseudonym. The Pizzamania album spawned 3 UK Top 40 hits in "Trippin' on Sunshine", "Sex on the Streets" and "Happiness". "Happiness" was picked up by the Del Monte Foods corporation for use in a UK fruit juice ad.

Cook is also behind a group The Mighty Dub Katz along with Gareth Hansome (aka GMoney), Cook's former flatmate and the inventor[citation needed] of the name "Big Beat". Together they started the Boutique Nightclub in Brighton, formerly known as the Big Beat Boutique, evidently imitating the Heavenly Social in London.[original research?] Mighty DubKatz are best known for their dance hit Magic Carpet Ride and numerous remixes of it. http://www.myspace.com/damightydubkatz

In 1996, Cook then re-joined Ashley Slater for the second Freakpower album, titled More of Everything for Everybody.


The Fatboy Slim album Better Living Through Chemistry (released through Skint Records) marked Cook's emergence into the big time. Filled with retro samples and funk-laden grooves, the album was among the first in the then-new big beat sound. It also spawned one Top 40 UK hit, "Everybody Needs a 303". After Cook's remix of Cornershop's "Brimful of Asha" topped the charts, such musical heavy hitters as Madonna and U2 asked him to produce for them.

Fatboy Slim's next work was the single "The Rockafeller Skank," released prior to the album You've Come a Long Way, Baby, both of which were released in 1998 to rave reviews. This album also produced the single "Praise You", which also became a major dance hit, giving Cook his first UK solo number one. Its video, directed by Spike Jonze, won numerous awards. Further Fatboy Slim works have appeared in movies, television series, and more ads and started a trend where Norman Cook appeared in each video in some shape or form. In 1999, he was on tour, stopping in San Francisco and New York's Hammerstein Ballroom. It should be noted that the single Rockafeller Skank was based entirely around a Lord Finesse vocal sample; "Right about now, the funk soul brother. Check it out now, the funk soul brother". Lord Finesse received no royalty payment and was not consulted on the use of his vocal for this song.

Halfway Between the Gutter and the Stars was released in 2000 and featured two collaborations with Macy Gray. It also included "Sunset (Bird of Prey)", a slower tempo piece based around a sample of Jim Morrison from The Doors, and "Weapon of Choice", which also boasted an award-winning video starring Christopher Walken.
July 13, 2002. The Big Beach Boutique II, where over 250,000 people saw Fatboy Slim play live.
July 13, 2002. The Big Beach Boutique II, where over 250,000 people saw Fatboy Slim play live.

On 13 July 2002 Fatboy Slim performed the second of his free, open air concerts on Brighton beach. Despite expecting a crowd of around 60,000 people the event instead attracted an estimated 250,000 who crammed the promenade and beach between Brighton's famous piers. Local police forced the event to end early amid safety concerns and overcrowding. After the music had finished and the crowd began to dissipate, traffic ensued throughout the Brighton area with many caught in traffic jams until the morning. Despite these problems the event was hailed as a great success by most who attended.

Cook was awarded a star on the city of Brighton's Walk of Fame, next to that of Winston Churchill. He married TV personality Zoë Ball in 1999; the couple have one son named Woody. Cook is also a 12% shareholder of the football club he has supported since moving to Brighton in the late 1980s, Brighton & Hove Albion.

Fatboy has often played to welcoming crowds in the superclubs of Ibiza, where he also met his wife. 2002 saw him make appearances at Space and Privilege. At Space there was a minor altercation when Cook inadvertently faded down the house PA while playing on the Terrace during the marathon 'We Love Sundays' closing party. With only the booth monitors barely audible the crowd began to shuffle indifferently, in stark contrast to Cook who was having a great time behind the decks. This continued for several minutes until 'We Love' promoter Darren Hughes ran into the booth, grabbed the appropriate control on the mixer and slammed the volume back to full blast. This resulted in a humorous acknowledgement from Cook and euphoria amongst the assembled revellers. Cook went on to complete a memorable set, including a classic Space Terrace moment with John Paul Young's vintage singalong track "Love is in the Air".

The following day Cook appeared in the main room at Privilege, officially the world's biggest club, for Manumission. His set began well but a thunderstorm was raging outside and after a few records the house PA failed, and once again Cook was playing to a huge crowd with only the weak output of the booth monitors. Attempting to make the best of the situation, Cook angled the monitors towards the crowd and continued with his set, at least entertaining those clubbers fortunate enough to be near the booth. In the cavernous space of Privilege this proved futile and after a short while Cook abandoned any attempt to DJ, removed his shoe, placed this on the turntable, then finally admitted defeat and departed the booth with a shrug of the shoulders and a wave to the disappointed crowd.

Later the same year Q magazine named Fatboy Slim in their 50 Bands To See Before You Die list.

In January 2003, Cook and his wife underwent a very public break-up, but three months later, they were reconciled.

In 2004, Cook released two remixes in June and July, based on Max Sedgley's "Happy" and "Follow Me Follow Me (Quem Que Caguetou)" by Black Alien & Speed. The latter, a Hip Hop hit from Brazil, became popular in Europe after having appeared on the Nissan X-Trail advert (portraying a more extreme type of marathon). Fatboy Slim's remix was then used in the advert itself.

His first album in four years, Palookaville, was less successful than previous releases. In the UK, BBC Radio 1 received an exclusive play of the first single "Slash Dot Dash", while in the U.S. "The Joker" (a collaboration with Bootsy Collins) had been exclusively aired. The song was appearing on the radio and was made quickly available on iTunes months ahead of the album release.

Palookaville represented a significant shift in style for Cook, from loop and sample based compositions to more conventional song structures and many original recordings of real instruments (Cook himself plays bass on some of the album's tracks, with Simon Thornton playing various other instruments along with guest artists, e.g. Justin Robertson). This change in style also led to the use of new production techniques and studio technology. Until Palookaville Cook had been using an Atari ST computer for sequencing and composition, a classic production tool favoured by many dance music producers for its stability, simplicity and rock solid timing. For the new album he made use of a Pro Tools rig, a powerful digital audio workstation environment found in most modern recording studios. This perhaps reluctant move by Cook was ultimately necessary to deliver the polished production style evident in the recordings. The resulting body of work features "traditional" Fatboy Slim tracks such as "Jin Go Lo Ba" alongside full length vocal tracks including a suitably updated rendition of the Steve Miller Band's "The Joker". (The music video for the latter consists entirely of kittens in the lead roles). The album also features many more vocal collaborations including tracks with rapper Lateef, Brighton-based band Johnny Quality and Damon Albarn (Blur, Gorillaz).

In 2005, his 2004 hit single "Wonderful Night" was placed on Konami's Dance Dance Revolution Extreme 2 for PlayStation 2.

In June 2005 he filled the Friday night headline slot on the 'Other Stage' at the Glastonbury Festival, a booking which actually generated a financial loss for Cook when he decided to stage a spectacular visual show involving banks of display screens at the rear of the stage (with his DJ booth set in the middle) and a sophisticated 3D light show with special glasses supplied to members of the audience. In a televised post-gig interview Cook revealed how the cost of staging the show had outstripped the famously low appearance fees received by Glastonbury performers.
In October of the same year Fatboy Slim and Talking Heads singer David Byrne revealed their plans for a musical about Imelda Marcos, the controversial ex-First Lady of the Philippines. It premiered at Australia's Adelaide Festival of Arts in March 2006.

On the New Years Eve 2005, Fatboy Slim performed live on Bondi Beach in Australia. During this all night set, Fatboy Slim reverted to his original style of music production and DJing with an emphasis on Dance music.

Why Try Harder is Fatboy Slim's greatest hits album and was released on 19 June 2006. It comprises eighteen tracks, including ten Top 40 singles, a couple of Number Ones and two exclusive new tracks - "Champion Sound" and "That Old Pair of Jeans". The title comes from the famous UK album cover for You've Come a Long Way Baby, which featured a large man with a T-shirt bearing the legend "I'M #1 SO WHY TRY HARDER". Cook has repeatedly stated in 2006 interviews that the phrase "why try harder" is a statement, not a question.

On 24 June 2006, Fatboy Slim headlined The "Rock Ness Festival" at Loch Ness, Scotland. The following month he also filled the Saturday headline slot at the Global Gathering festival, Long Marston Airfield in the English Midlands. He played a two hour set containing most of his classics and also some of his new material. This is widely regarded as one of the highlights of the festival, perhaps just losing out to Daft Punk's once in a lifetime performance the previous evening.[citation needed] Once again Fatboy appeared in front of an impressive visual stage set comprising video screens and 3D lighting. A spectacular firework display rounded off the show.

After being banned by police from playing in Brighton since 2002 after the deaths of two people at his 2002 gig, Fatboy Slim was given permission in 2006 to play again in his home town.

It should be noted that the first death was a heart attack brought on by natural causes and the second death was caused by a fall from a wall some time after the gig had finished. The police attributed no blame to Fatboy Slim or the promoter for the deaths. However the promoter had massively underestimated the numbers that would attend, mainly due to the show being unofficially advertised on a London radio station. As a result the entire towns roads and pavements became grid locked and the emergency services were heavily affected.

On 1 January 2007 he played to an audience of over 20,000 fans along Brighton's seafront (along Madeira Drive along the beach east of Brighton Pier). Tickets to the event were made available only to Brighton residents, although inevitably some were sold to others on eBay. He recently performed in Brazil, in its version of the Big Brother reality show.

Fatboy Slim's Big Beach Boutique 3 was deemed a stunning success by Sussex Police, Fatboy Slim, and the crowd. The gathering was named "best party city" by DJ David Guetta, although this was just after both his CD mixers broke down. "Luckily" he said "Fatboy plays vinyl" and so the crowd returned. The Cuban Brothers and David Guetta opened the show. Cook performed mixes of Gorillaz and Fedde Le Grand's "Put Your Hands Up For (Brighton)".

Summer 2007 saw Fatboy take a well earned break from the DJ circuit, although he did still return for appearances at Glastonbury and in Ibiza. Glastonbury saw him headlining the East Dance Tent on Friday night and also playing an intimate Saturday night secret gig in the Lost Vagueness ballroom, sharing the bill with ska legends Madness. Befitting of a Lost Vagueness party, Cook accompanied his DJ set with a protracted costume change, transitioning smoothly from a regular set of casual clothes into what could best be described as a bizarre and somewhat revealing bee outfit, complete with novelty wings. For his return to Ibiza, Cook once again joined up with the Manumission crew, now creating their unique brand of Mayhem in legendary superclub Amnesia. Here he shared the bill with Sheffield indie boys Arctic Monkeys and Radio One DJ Zane Lowe.

In summer 2007, "The Rockafeller Skank" was used for season 3 of So You Think You Can Dance. In September 2007, the song was also featured on Konami's Dance Dance Revolution SuperNova 2 for PlayStation 2.

According to Norman's regular "Ask Norm" segment on his MySpace, his untitled fifth studio album has Iggy Pop collaborating with him, and the album is "seven-eighths finished". The recording process has been completed, but the record is yet to be mixed. There are 18 tracks on the record.

PASCAL F.E.O.S @ZEBRA CLUB, BACAU, ROMANIA 28/03/2008



There are not many originals like Pascal F.E.O.S. You will have to search intensively to find one like him - one of those who started earlier and is longer in the game than most of the others. Pascal F.E.O.S. is what magazines like to call a “true original”: he is part of the old-school, of those, who learned their skills from scratch. You can feel immediately that this “old-school” consciousness is living in every inch of his body . No matter if you are getting to know him as a DJ behind a set of turntables or if you hear one of his many productions - the impact, that Pascal F.E.O.S. has on others, is truely original.

Pascal has devoted more than seventeen years of his life to electronic music and during that time, he has always stayed true to his roots. From the first sporadic DJ assignments (in a time when DJing only meant to fill the space with people and to get them to order drinks at the bar), on to his recent solo album, one can find a style-defying continuity, the essence of a certain minimalism, which links all of his works together. His path has led him through many phases: the first contact with clubmusic already happened in the early Eighties through house and disco, soon to be followed by the omnipresent sound of EBM and finally the very successful and genre-defying years with his trance projects Resistance D. (Harthouse) and Sonic Infusion (Eye Q). Shortly after this, he moved his sound as a DJ and as producer more and more towards the many styles of club-orientated techno. Since 1995 Pascal is celebrating his special pascal feos biounderstanding of techno music on his labels Elektrolux, HeyBabe and Planet Vision which he formed with his long-time partner Alex Azary. Only on year after this, another label called PV was added to the family. As one of the world’s leading outlets for progressive rhythmic techno PV is mainly dedicated to F.E.O.S.’ DJ demands, skills and experiences, that gained him a huge reputation as one of the most frequently booked DJs around. With the creative input of Pascal as a true pioneer on the techno circuit for more than 15 years the word spread and the demand followed. Focusing strictly on DJ tools for him and his fellow label mates it didn’t take long to create a very unique sound philosophy and establish PV and its artists as a driving force within the global techno movement. With its five year anniversary just passing, it became more than clear that the sound of Pascal F.E.O.S. definetely belongs in a category of its own.

DANNY TENAGLIA@WORLD TRADE PLAZA ,ROMANIA ,BUCHAREST ,19/04/2008



Danny Tenaglia has remixed and produced several sizeable club hits but still remains most well-known for his DJ residencies at the top New York clubs of the 1990s.
Raised in Brooklyn, he listened to Motown and the Philly sound as a child, and learned to play guitar and saxophone. At the age of 12, however, a friend introduced him to the world of DJ mixtapes and Tenaglia became fascinated with mixing techniques. He began hustling tapes on the street and, when he was old enough, hit the Manhattan club-scene with gusto. Coming of age in the late '70s introduced him to the club and DJ often cited as the best of all time, the Paradise Garage and Larry Levan. Tenaglia spent much time observing Levan, and began his own DJ career soon after. Though he moved to Miami in 1985 to escape a glut of New York DJs, he was back by 1990, right on the cusp of a new house renaissance led by producers like Masters at Work and Frankie Knuckles, and the output of Strictly Rhythm and Nervous Records.

Tenaglia had begun producing in the mid-'80s during his spell in Miami (a single from his Deepstate project signed to Atlantic and he also worked with Murk's Ralph Falcon) so by the time of his return to New York, he was quite comfortable in the studio. Tenaglia productions began appearing on labels like Minimal, Sexy, Tribal and Strictly Rhythm; he really hit the mainstream with a 1993 remix of the Daou's "Surrender Yourself," a house epic which pioneered the harder underground sound which stormed Manhattan clubland (and therefore, most of America's dance scene) during the mid-'90s. With friend Junior Vasquez, Tenaglia was the city's most popular DJ and his residency at Twilo became legendary as the home of the most emotional dance music being mixed anywhere.


Cementing Danny Tenaglia's connection with Tribal Records America was the 1994 club hit "Bottom Heavy"; it also led to abundant remix work for Madonna, Michael Jackson, Pet Shop Boys, Grace Jones, Jamiroquai, New Order and Lisa Stansfield, among others. His debut album, 1995's Hard & Soul, did well and Tenaglia hosted several Tribal mix albums, including two volumes in the Mix This Pussy series plus Gag Me with a Tune. His second proper album Tourism was released in 1998. Global Underground: Athens and Back to Mine followed in 1999. ~ John Bush, All Music Guide.

TIMO MAAS@STUDIO MARTIN ROMANIA BUCHAREST 22/03/2008



Düsseldorf's Timo Maas is mostly associated with his involvement in Germany's trance scene as a DJ and producer. Often misspelled by Americans as Timo Mass, he gained a large global at the height of the global trance music scene, which had a large push from DJs such as Paul Van Dyk and Sandra Collins in the mid- to late '90s.

Maas' first exposure to music came via listening to the radio when he was young. He bought his first record when he was nine and his first pair of turntables when he was 17. His earlier gigs were around Germany playing mostly Top 40 records at bars, sneaking in the occasional techno record. In 1982 he played his first real official set in the basement of a friend's house at a party and was booked a lengthy six years later for his first official all-techno gig. He was introduced to the rave scene in 1992, in its early German days, through a booking at an Easter rave. Following were a long string of big rave events and local exposure. The production bug first bit Maas in the early '80s, but his first record, "The Final XS," was not released until 1995. Called cheesy by Maas himself, the record did not do very well in most markets. Shortly after, he teamed with producer Gary D on the more successful "Die Herdplatte" record. Gary D also landed Maas a residency at one of Hamburg's better-known clubs, Tunnel, from 1994 to 1996.

Connections in England later brought Maas to the Bristol-based progressive house club Lakota and the label Hope Recordings. During 1996-97, he released singles through labels including Hope, Lakota, Phuture Wax, and UK44, as well as an album under his Orinoko moniker. He also recorded with manager and mate Leon Alexander under Mad Dogs and Englishmen. In 2000, Timo Maas took a residency at the New York City mega-club Twilo with colleagues Deep Dish. Following the massive success of his Azzido Da Bass remix "Dooms Night" and his own track "Ubik," Maas released 2000's Music for the Maases, a mix album largely composed of his own productions and remixes. After one more mix album, Connected, his production debut Loud appeared in early 2002.